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2018 Film Programme

Thursday 9th August (note this is the 2nd Thursday)

The Greatest Showman (PG) 105 min. True Story/Drama/Musical  TRAILER   REVIEW

Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.  The critical consensus was that The Greatest Showman tries hard to dazzle the audience with a Barnum-style sense of wonder - but at the expense of its complex subject's far more intriguing real-life story and ethical questions. Audiences, however, have been happy just to relax and enjoy the spectacle and escapism and the soundtrack has enjoyed phenomenal success.  The Greatest Showman is  being screened in some cinemas as a sing-along event, though we suspect our audience may prefer to hum quietly to themselves as they leave.

 

Thursday 6th September

The Guernsey Literary and Potato Peel Pie Society

(12A) 124 min. Drama/History/Romance     TRAILER     REVIEW

Director Mike Newell (Four Weddings and a Funeral) excels as a director of well-picked ensembles and this story provides ample scope for interesting characters and charming locations (Devon and Cornwall, actually)Lily James lays a writer who forms an unexpected bond with the residents of Guernsey Island in the aftermath of World War II, when she comes to speak at a Book Group and makes discoveries about their experiences during the occupation.

 

Thursday 4th October

The Mercy (12A) 112 min. Adventure/Biography/Drama    TRAILER     REVIEW

Colin Firth plays Donald Crowhurst, an amateur sailor who vanished in 1968 while trying to become the first person in history to single-handedly circumnavigate the globe without stopping.

Crowhurst had entered the race in hopes of winning a cash prize from The Sunday Times to aid his failing business. Instead, he encountered a string of difficulties early in the voyage, and secretly abandoned the race while reporting false positions that gave the impression he was in the lead. His boat was eventually located with nobody aboard but his extensive log books and other writings found after his disappearance suggests that the attempt ended in mental breakdown and possibly suicide.

The Crowhurst story has a haunting life of its own, and Crowhurst lives on, perversely, as a mythic hero, inspiring a number of books, a one-man opera, a string of radio and TV programs, and two feature films.  The earlier documentary Deep Water (2006) was not quite so sympathetic to its protagonist as this one, with is charismatic lead actor.

 

Thursday 1st November

Mary Shelley (12A) 120 min. Biography/Drama/Romance     TRAILER     REVIEW

In the film’s opening shot a young Mary Godwin sits on the ground against the gravestone of her mother Mary Wollstonecraft, reading a Gothic novel. From there, we will learn that Mary looks like her mother and feels connected to her mother through her writing (in one scene holding A Vindication of the Rights of Woman). The film depicts Mary Shelley as a woman author of fierce independence and ambition, confronting and overcoming the obstacles of a man’s world of writing, learning, publishing, and entitlement both social and sexual.

During the rainy summer of 1816 Mary, then only 18, and her lover (and later husband) Percy Bysshe Shelley visited Lord Byron in Switzerland. To pass the time, Byron suggested a competition to write a ghost story and a dream in which a corpse was reanimated gave Mary her idea for the book.

Frankenstein, the film proposes, was Mary’s stinging commentary on a world where young women such as she and her stepsister Claire Clairmont are discounted. As Claire says through tears after copying the manuscript of Frankenstein, she identified with the creature’s struggles and expected many more would, and so Mary “must” publish the novel.

When Percy has read the first draft, he proclaims its genius, but then wishes the creature to be “perfect,” an “angel,” to show humanity hope - a suggestion Mary refuses, replying that their lives are a mess, that she is a mess, which is reality.

Whether many people nowadays immediately make the link between Frankenstein and early feminism is doubtful but this early nineteenth century novel is considered to be a landmark work of romantic and gothic literature, as well as science fiction (Wikipedia).

 

Thursday 6th December

The Happy Prince (15) 105 min Drama/Biography     TRAILER     REVIEW

 Rupert Everett’s film of the last days of Oscar Wilde.

In a cheap Parisian hotel room Oscar Wilde lies on his deathbed and the past floods back, transporting him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? The lover imprisoned and freed, yet still running towards ruin in the final chapter of his life? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross who tried and failed to save him from himself. From Dieppe to Naples to Paris freedom is elusive and Oscar is a penniless vagabond, always moving on, shunned by his old acquaintance, but revered by a strange group of outlaws and urchins to whom he tells the old stories - his incomparable wit still sharp.

THE HAPPY PRINCE is a portrait of the dark side of a genius who lived and died for love in the last days of the nineteenth century.

 

 

No film in January but we will be back again in February 2019.

 

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